I remember the day I stumbled onto Villa Stiassni like it was yesterday, though it was a drizzly afternoon in late spring, the kind where Brno's hills seem to shrug off the rain with quiet defiance. I'd been wandering those off-the-beaten-path spots that make this city sing—far from the Špilberk crowds and the functionalist fanfare of Tugendhat. My map app had crapped out somewhere in Starý Lískovec, and there it was: a white modernist jewel peeking through the trees on Purkyňova street. No lines, no tour buses. Just me, a sudden hush, and the realization that I'd uncovered one of Brno's best-kept secrets for 2026, before the whispers turn to roars.
Why does a place like this still fly under the radar? Brno, Czechia's second city, is no stranger to architectural pilgrims chasing Mies van der Rohe's shadow at Tugendhat Villa. But Villa Stiassni? It's the quieter sibling, the underrated modernist villa that locals guard like a family recipe. Built between 1927 and 1930 by Ernst Wiesner for the textile baron Alfred Stiassni, it embodies that pure functionalist spirit—clean lines, light-flooded spaces, a seamless blend of indoors and out. Yet while Tugendhat became a UNESCO darling, Stiassni simmered in relative obscurity, passed through Jewish confiscations during the war, communist hands, and private owners until the city reclaimed it in the 2010s. Now, with restorations wrapping up and subtle buzz building, it's primed for its moment. If you're plotting Brno off the beaten path spots for 2026, this is your golden ticket.
Ernst Wiesner wasn't just building a home; he was scripting a manifesto in concrete and glass. I stood on that expansive terrace during my visit, coffee steaming in hand from a thermos I'd smuggled in (pro tip: the tours don't include refreshments yet), gazing out over the sloping gardens toward the distant spires of Brno. The villa clings to the hillside like it grew there, its white walls catching the light in ways that make you forget the steel frame beneath. Wiesner, a Viennese émigré influenced by Loos and the Bauhaus wave, designed it for the Stiassnis—Alfred, his wife, and their two daughters—with an intimacy that Tugendhat's grandeur sometimes lacks.
Step inside, and it's a time capsule of 1920s optimism. The entrance hall's cantilevered stairs spiral upward with balustrades so slender they seem drawn in pencil. The living room? A symphony of floor-to-ceiling windows framing the treetops, furniture recessed into walls to maximize flow. I traced my fingers along the original oak parquet, still gleaming after decades, imagining family dinners under those geometric chandeliers. Wiesner even tucked in playful touches—a hidden breakfast nook off the kitchen, a rooftop solarium for sunny mornings. It's these hidden architecture gems in Brno, Czechia, that reward the curious, far from the postcard perfection.
But the real magic unfolds outside. The gardens, terraced and lush, were once a playground for the Stiassni girls—fruit trees, a tennis court, even a small pool fed by natural springs. During my tour, our guide (a soft-spoken architecture student named Petra) pointed out the original irrigation channels, still functional. "The family hosted intellectuals here," she said, "discussing Freud over homemade slivovice." War shattered that idyll; the Nazis seized it in 1939, then the communists turned it into offices. Restored since 2014, it's now a museum by day, event space by night—weddings under the stars, chamber concerts echoing off the walls. By 2026, with EU-funded upgrades to accessibility and exhibits on Moravian modernism, it'll draw the discerning without losing its soul.
Let's cut to the chase: reasons Villa Stiassni remains Brno's secret aren't accidental. First, location—tucked in Lískovec, a 20-minute uphill hike or quick tram from the center, it demands effort. No gift shop blaring Wagner to lure you in. Second, the Stiassni legacy adds layers; Alfred's textile empire funded it, but his family's Holocaust survival story (they fled to Shanghai) lends poignancy without pandering. I lingered in the daughters' bedrooms upstairs, bedrooms with built-in wardrobes and playful bunk beds, pondering the abrupt end to their childhood. It's not maudlin—it's human.
Compare it briefly to Tugendhat, a half-hour walk away: Mies' onyx walls and Barcelona chairs scream icon; Wiesner's villa whispers elegance. Both functionalist masterpieces, but Stiassni feels lived-in, approachable. No velvet ropes boxing off rooms; you can almost sit on the sofas. And for 2026? Whispers of a new permanent exhibit on women in Czech modernism (the Stiassni women were patrons), plus pop-up dinners pairing local wines with era-appropriate menus. Tourism's rising post-pandemic, but Brno's best-kept secrets like this won't tip into overtourism anytime soon. It's the perfect counterpoint to Brno's crush.
Planning a trip to Villa Stiassni in 2026? Start with the basics. Address: Purkyňova 620/1, 612 00 Brno-Starý Lískovec. Tours run weekends 10am-4pm (book via villastiassni.cz, 300 CZK/adult, kids half). They last 90 minutes, max 15 people—intimate, no earbuds needed. Petra was my guide; she sketched Wiesner's blueprints on a notepad, answering off-script questions about the plumbing (original cast-iron radiators, still humming).
Getting there: From Brno hlavní nádraží (main station), tram 1 or 8 to Lískovec (15 mins), then 10-min walk uphill—wear comfy shoes, the path winds through vineyards. Drive? Free parking at the gate, but narrow roads test nerves. I biked once, chains rattling over cobblestones, arriving sweaty but triumphant. Inside, expect a full circuit: ground floor social spaces, upper private quarters, basement wine cellar (empty now, but evocative). Touch everything except the light fixtures—they're fragile originals.
| Fact | Details |
|---|---|
| Architect | Ernst Wiesner (1927-1930) |
| Location | Purkyňova 620/1, Brno-Starý Lískovec |
| Tour Hours | Sat-Sun 10am-4pm; book online |
| Price | 300 CZK adult, 150 CZK child |
| Highlights | Terrace views, original interiors, gardens |
| Best Time | Spring/fall for mild weather, fewer groups |
| Accessibility | Partial ramps by 2026; stairs to upper floors |
Why visit Villa Stiassni Brno now, before 2026 elevates it? The raw authenticity. Last summer, I watched a restoration crew polishing brass fittings—history in motion. Pair it with a Villa Stiassni Brno tour guide like Petra for stories you won't Google. It's not just sightseeing; it's time travel with a Moravian accent.
Post-tour hunger hits hard. Five minutes downhill, Pension Lískovec (Purkyňova 119, open daily 7am-10pm) serves housemade svíčková—creamy beef in dumplings, 250 CZK. I devoured mine on their porch, overlooking the villa's rooftops, the sauce rich as the day's discoveries (their goulash soup steals the show too, hearty after rain). Or stretch legs in Lužánky Park (a tram hop away, tram 1 to city center), Brno's green lung with duck ponds and art nouveau pavilions—perfect for reflecting on modernist vibes amid picnickers.
From there, it's an easy wander to Špilberk Castle (20-min downhill), but save energy—the villa deserves your full breath. Brno's rhythm rewards slowness; rush, and you miss the secrets.
Months after my first peek, I returned for a friend's concert in the garden—string quartet under lantern light, notes floating over the valley. Villa Stiassni isn't a checkbox; it's a pause, a reminder that Brno's best secret villa explorations yield the deepest souvenirs. In 2026, as trails widen and exhibits bloom, it'll draw you too. But go soon. Secrets have a way of spilling.
What are you waiting for? Dust off that passport. This hidden gem won't stay hushed forever.